A live visuals environment for video synthesis using Hydra wrapped in Electron.

Edited by: Steve Gibson, Stefan Arisona, Donna Leishman and Atau Tanaka, 2022

An 18m long and 4m high illuminated display hung in the middle of the bridge arch of the Hochbrücke Baden.

Here's a little fun my son Romeo and I had during school holidays: A Lego stand for Ableton push. Inspired by the awesome Lego DJ Booth recently posted <a href="https://www.morsebakke.de/wordpress/2010

'Enabling DEMO:POLIS' is a participatory urban planning installation, presented as part of the DEMO:POLIS exhibition at the Berlin Akademie der Künste.

Exhibition at the Institute for the Future (IFTF), Palo Alto, 21 September 2015 - 15 April 2016.

This paper proposes waypoints-constrained OD visual analytics, a new approach for exploring path-related OD patterns in an urban transportation network.

This paper proposes a new quantitative measure for the centrality of locations, taking into account not only the numbers of people attracted to different locations, but also the diversity of the activities they are engaged in.

This paper presents a set of measuring of variability at individual and aggregated levels using multi-day smart-card data.

This paper shows how time-space diagrams remain relevant today, in an era of data abundance.

This work aims to visualize and explore passenger mobility in a PTS with a family of analytical tasks based on inputs from transportation researchers.

International Journal of Geographical Information Science

This paper proposes a visual analytics framework, which is applied to transportation data to manage and extract information for urban studies.

Special Issue on Art/Science Hybrids. Journal of Professional Communication (JPC), Volume 3, Issue 2, 2013 <a title="https://digitalcommons.mcmaster.ca/jpc/" href="https://digitalcommons.mcmaster.ca

Special issue on Live Visuals in Leonardo Electronic Almanac (LEA), edited by Özden Sahin, Lanfranco Aceti, Steve Gibson and Stefan Arisona.

The multi-projector-mapper (MPM) is an open-source software framework for 3D projection mapping using multiple projectors.

Authors: Wei Zeng, Chi-Wing Fu, Stefan Arisona, Huamin Qu <img class="alignnone size-full wp-image-655"

Projections of Reality engages in augmenting design processes involving physical models with real time spatial analysis.

Edited by Stefan Arisona, Gideon Aschwanden, Jan Halatsch, and Peter Wonka, 2012 About this Book This book is thematically positioned at the intersections of Urban Design, Architecture, Civi...

The Singapore-ETH Centre for Global Environmental Sustainability (SEC) in Singapore was established as a collaboration between the National Research Foundation of Singapore and ETH Zurich in 2010.

The Value Lab Asia is a collaborative, digitally augmented environment for a wide range of applications, such as participatory urban planning and design, stakeholder communication, information visualisation and discovery, remote teaching and conferencing.

'robot_mixeur' is my alter ego when performing as visualist and DJ.

Corebounce is a collective of artists and scientists with the common goal of mediating between arts, science, and technology.

Steve Gibson and Stefan Arisona, since 2011 Virtual VJ takes the concept of Virtual DJ one step further and unites the role of the DJ and VJ into one interface: 3D space.

A novel and visually striking method of displaying and interacting with large amounts of transportation simulation data.

ArcGIS CityEngine, is a 3D modeling software developed at the Esri R&D Center Zurich (formerly Procedural Inc.) and is specialized in the generation of three dimensional urban environments.

Edited by Randy Adams, Steve Gibson, Stefan Arisona, 2008 This volume collects selected papers from the past two instances of Digital Art Weeks (Zurich, Switzerland) and Interactive Futures ...

ETH Zurich's Digital Art Weeks are concerned with the application of digital technology in the arts.

Permanent Exhibition Ars Electronica Center, 2009 - 2012 Procedural City is an interactive media installation which has incorporated the generative modeling features of CityEngine along with a biometric fingerprint scanner.

EPI Redux is re-imagining of the psychedelic classic The Exploding Plastic Inevitable, created by Andy Warhol with the Velvet Underground in the late 1960s.

Stefan Arisona, research fellowship at UCSB, 2007 - 2008 Project Summary The volume of digital media content has enormously grown in the recent years: Emerging internet-based applications, s...

I was working on the Allosphere project during my stay at UCSB.

The lecture "Mobile Systems Architectures 1 & 2", taught at the Computer Systems Institute of ETH Zurich in 2006 and 2007, was realised in collaboration with Swisscom, and took an integral approach to mobile computing from a "systems view".

An approach to providing mobile phone users with a simple low cost real-time user interface allowing them to control highly interactive public space applications.

The interactive installation Digital Marionette impressively shows the audience the look and feel of a puppet in the multimedia era: The nicely dressed wooden marionette is replaced by a Lara Croft...

'Almost Lost' was a performative audio-visual installation of Corebounce in collaboration with artists Art Clay and Heinrich Lüber: Streams of spoken words are deformed by interactive technology.

I recently (2012) stepped across this submission again, and was surprised and also feeling a bit depressed that we never fully realised this piece at that time - this was before facebook & co took off, see 'the next hype' box in the picture below.

PhD Thesis - Stefan Arisona, 2004 The process of music performance has been the same for many centuries: a work was perceived by the listening audience at the same time it was performed by one or a group of performers.

Corebounce Art Collective, 2006 The project "Rip my Disk", presented at Interactive Futures 2006, brought mobile art to the dancefloor.

Corebounce, in collaboration with Art Clay and Anne Faulborn, 2005 This radical, eye-and earblasting performance was realised in collaboration with Art Clay (Composition) and Anne Faulborn (Cembalo).

Guerino Mazzola & Corebounce, 2002 Free jazz improvisation by Guerino Mazzola over a motif of Modest Mussorgsky's "Pictures at an Exhibition" accompanied by an expressive live visuals interpretation.