Tag: Simon Schubiger
13 posts tagged with "Simon Schubiger"
The Digital Marionette
The interactive installation Digital Marionette impressively shows the audience the look and feel of a puppet in the multimedia era: The nicely dressed wooden marionette is replaced by a Lara Croft - like character; the traditional strings attached to puppet control handles emerge into a network of computer cables. The installation is currently exhibited at the Ars Electronica Center in Linz.
The installation consists of a projection of a digital face, which can be controlled by the visitors. The puppet can be made talking via speech input, and the classical puppet controls serve as controllers for head direction and face emotions, such as joy, anger, or sadness. The whole artistic concept was designed and realised in an interdisciplinary manner, incorporating art historical facts about marionettes, the architectural space, interaction design, and state of the art research results from computer graphics and speech recognition.
Concept
The translation from old to new, from analogue to digital, takes place via the most popular computer input device: the mouse. The puppet control handles are attached to sliding strips of mousepads and eight computer mice track movements of the individual strings. This approach is at the same time efficient, low-cost and easily understandable by the non-expert visitor. Speech input is realised via speech recognition, where the recognised phonemes are mapped to a set of facial expressions and visemes.
Exhibition at Museum Bellerive, Zurich, Switzerland, 2004
The first exhibition of the Marionette was realised in 2004 by the Corebounce Art Collective in cooperation with Christian Iten (interface realisation), Swisscom Innovations (Swiss-German voice recognition), and ETH Zürich (real-time face animation), and Eva Afuhs and Sergio Cavero (Curators, Museum Bellerive, Zürich).
Exhibition at Ars Electronica Centre, Linz, Austria, 2006 - 2008
An augmented permanent version of the installation was presented in the entrace hall of the world-famous Ars Electronica Center in Linz. It was realised by the Corebounce Art Collective with technical support from Gerhard Grafinger of the Ars Electronica Center. Furthermore we thank Ellen Fethke, Gerold Hofstadler and Nicoletta Blacher of Ars Electronica; and Jürg Gutknecht and Luc Van Gool of ETH Zürich.
Bellerive Installation Video
3D Concept Video
Additional Information
Exhibition: Museum Bellerive
Location: Zurich, Switzerland
Period: Jun 11 - Sep 12 2004
Exhibition: Ars Electronic Centre
Location: Linz, Austria
Period: Sep 2006 - Sep 2008
Concept and realisation: Corebounce Art Collective (Pascal Mueller, Stefan Arisona, Simon Schubiger, Matthias Specht)
Rip My Disk
Corebounce Art Collective, 2006
The project “Rip my Disk”, presented at Interactive Futures 2006, brought mobile art to the dancefloor. It compromised privacy by displaying personal content to the big screen.
In an augmented VJ performance, visitors entered into a dare by letting the Corebounce team “rip” multimedia contents off their personal mobile phones with the Soundium program to get exposed (“virtually naked”) on the dance floor. Others, not so akin to risk taking, simply enjoyed to employ their mobile phones for interactive painting as well as sending media sources such as live video and image material. The sent media were used as personal artifacts, and were continuously adapted and integrated into the live visuals performance. The result was the personal enhancement of the space around the media owner’s location. The project also demonstrated how mobile communication technologies can easily be made accessible to artists or performers.
https://www.youtube.com/watch?v=Ut3D5Z4PoWg
Performance & Installation: Interactive Futures 06
Location: Open Space, Victoria, BC, Canada
Date: Jan 27 2006
Installation: Digital Art Weeks 07
Location: ETH Zurich, Switzerland
Date: Jul 10 - 14 2007
Concept, programming and realisation: Corebounce Art Collective
The Pianist's Brainwaves
Guerino Mazzola & Corebounce, 2002
Free jazz improvisation by Guerino Mazzola over a motif of Modest Mussorgsky’s “Pictures at an Exhibition” accompanied by an expressive live visuals interpretation. Instead of using DSP music analysis, the piece employed real-time EEG (Electroencephalogram) to sense and analyse Mazzola’s brainwaves. The retrieved parameters were then mapped to for spatial distributions and movements of geometric shapes and to different color modulations.
Event: Musik - Denken - Spielen
Location: School of Music, Drama and Dance, Zurich, Switzerland
Date: Oct 26 2002
Concept and Performance: Guerino Mazzola and Stefan Arisona
Programming: Corebounce