The page contains lots of materials from previous DAWs. The featured picture above is from DAW 2007 in Zurich, with Computer Pioneer and Rebel at Work Joseph Weizenbaum, ETH Professor Jürg Gutknecht, Art Clay and me, during a panel at ETH Zurich’s VisDome.
On December 6 2012, I will be performing live at swissnex Singapore’s End of 2012 party. In collaboration with NTU’s Institute of Media Innovation and the MIRALab of the University of Geneva, we’ll present a Live and virtual fashion show, augmented with live visuals and electronic music.
Great news… I will be performing on both nights of this year’s ZoukOut. Sea, beach, massive line-up, and huge LED screens included. So come out to Siloso beach on December 7 and 8, it’s gonna be a hell of a party!
Great news for our Digital Art Weeks: We have been awarded as finalists of the Swiss Art Awards 2012, and were given the opportunity to present our work at the Swiss Federal Office of Culture’s yearly exhibition at Art Basel 2012 (12 – 17 Jun 2012).
‘robot_mixeur’ is my alter ego when performing as visualist and DJ. As a DJ, I usually mix elements from minimal techno, tech house and techno into driving soundscapes and pushing beats. As a visualist (or VJ), I am using the self-coded software Soundium/Decklight as performance environment for live video editing and 3D content generation. Continue reading →
Save the date for the night: The EPI is coming to Singapore, and which space would be a better match than Velvet Underground? My friends Tom Kuo (Toronto), Steve Gibson (Vancouver / Edinburgh), Dyz (Singapore), Marcellus & Sho-B (Zurich) and I will be spinning and flickering all night…
Steve Gibson and Stefan Müller Arisona, since 2011
Virtual VJ takes the concept of Virtual DJ one step further and unites the role of the DJ and VJ into one interface: 3D space. The concept of Virtual VJ is to allow two or more users to control different aspects of the sound and video environment with their movements. One tracker is set to trigger sound and video and the other is set to manipulate the sound and video initiated by the first tracker. The focus of the media integration is on the development of observable connections between the audio and video mediums in order to assist the users with ease of interaction. Continue reading →
Pascal Müller, Stefan Müller Arisona, Simon Schubiger, Matthias Specht, since 2001
Corebounce is a collective of artists and scientists with the common goal of mediating between arts, science, and technology. We maintain a number of new media projects and our own multimedia software research platform, Soundium. We are organised as a non-profit association and collaborate with a number of partners from education, in particular with ETH Zürich, and industry. Continue reading →
Permanent Exhibition Ars Electronica Center, 2009 – 2012
Procedural City is an interactive media installation which has incorporated the generative modeling features of CityEngine along with a biometric fingerprint scanner. It enables the user to create his/her own personal city according to their fingerprint. Continue reading →
Stefan Müller Arisona and Steve Gibson, since 2006
EPI Redux is re-imagining of the psychedelic classic The Exploding Plastic Inevitable, created by Andy Warhol with the Velvet Underground in the late 1960s. Rather than literally interpreting the original Warhol event, EPI Redux seeks to update psychedelia for the new millennium. Using an excess of technology the project immerses viewers in an overload of the senses and in a Gesamtkunstwerk where sound, vision, space and time coincide. Continue reading →